Art Manifestation    20.10 - 4.11    Arti et Amicitiae

  • Roos Groothuizen

  • Float

  • Alicia Framis

  • Jan Zuiderveld

  • Maarten Vinkenoog

  • Pip Greenaway

  • Spitler

  • Igor Schiller

  • Li Yi-Fan

  • Lukács en Broersen

  • Jeroen van Loon

  • Martinus Suijkerbuijk

  • Katarina Petrović

  • Đăng-Vũ Đặng

  • Ester Natzijl

  • Kraftgalli

Saturday 8 November 2025 | 14:00 - 17:00 h. 
Arti et Amicitiae . Rokin 112 . Amsterdam
https://www.artscienceforum.nl/forums/the-art-of-hacking-hacking-in-art

As part of the Big DaDa manifestation – where absurdism, technology and language collide in disruptive ways – we present The Art of Hacking – Hacking in Art, an open forum exploring the intersection of artistic subversion, digital systems, and speculative futures.

In an age where algorithms and infrastructures increasingly govern our actions and thoughts, artists, thinkers and technologists gather to ask: how can systems be hijacked, détourned or turned inside out? How can technology be used not just as a tool, but as a mirror, a commentator, or even a dismantling device of the self?

This forum invites an open, evolving conversation – playful, poetic, critical – about the role of art as a hacking practice: a way of questioning dominant structures, injecting absurdity into order, and imagining alternative futures. 

Speakers

•     Roos Groothuizen - media artist advocating for digital human rights
•    Jan Zuiderveld – artist and researcher, working with poetics & aesthetics of neural nets
•     Rop Gonggrijp - hacker and digital civil rights activist    
•     Coralie Vogelaar – interdisciplinary artist exploring algorithmic systems and embodied movement    
•     Sam Nemeth - Human Computer Interaction (HCI) specialist, director and writing journalist
•     Ine Poppe - artist, writer and teacher
Moderator: Katarina Petrović – artist, researcher and founder of ArtScience Forum

Program

14:00 - 14.05 | Welcome by Eva and Arjen + Katarina
14:05 - 14.30 | Performative lecture by Coralie Vogelaar with Q&A

An Evaluation of Affective Design Principles in Smart Object Environments
While reading from corporate interaction design protocols, the artist tests how smart speakers - responsive to her movements and dynamically placed in the space - embody the affective logic of technology. The performance explores how sound design, through embodied cognition, regulates trust and limits agency in human-technology interaction.

14:30 - 15:15  | Symposium (part 1)
15:15  - 15:30 | Break
15:30 - 16:30 | Symposium (part 2)
16:30 - 17:00 | Drinks (Arti club)
17:00 - 18:00 | Guided tour with curator

Short Bios

Roos Groothuizen is a media artist advocating for digital human rights. In her own practice and as part of the art collective Telemagic, she explores the human side of invisible algorithms, information filters, and unfair distribution. Among other projects, she developed ‘I want to delete it all, but not now,’ an escape room about the power of Big Tech... and one you can’t escape. The escape room was nominated for a Golden Calf award in 2021. She’s also the founder of .zip, an artists’ space for digital culture, queer futures and alternative art forms in Rotterdam.
http://www.roos.gr
http://www.telemagic.online
http://www.zipspace.nl

Rop Gonggrijp is a hacker and digital civil rights activist. He co-founded XS4ALL, the first internet provider in the Netherlands to place open access and digital rights at its core. Gonggrijp became widely known for exposing the vulnerabilities of electronic voting machines, thereby questioning the reliability of the democratic process. As a critical thinker, he also writes and speaks about broader political and social developments, from privacy and surveillance to the power dynamics between citizens, states, and technology.
https://nl.wikipedia.org/wiki/Rop_Gonggrijp
https://media.ccc.de/v/22C3-920-en-we_lost_the_war

Sam Nemeth is a Human Computer Interaction (HCI) specialist, director and writing journalist. Since 2024, Nemeth researches, for the Prosquare Network in the UK, in collaboration with Nottingham Trent University and partners in the UK and the The Netherlands, whether and if so how Large Language Models can help in the processes of industry, artists and designers. In addition to this Nemeth is involved in a project of NTU that investigates the telling of untruths or 'bullshitting' of LLMs.
https://prosquared.org/projects/conversational-prototyping-leveraging-generative-ai-to-support-iterative-device-production-and-testing/
https://irep.ntu.ac.uk/id/eprint/53641/1/2442065_Holmquist.pdf

Coralie Vogelaar is an interdisciplinary artist who combines social science such as behavioural studies with the artistic imagination. Vogelaar investigates the relationship between human and machine by applying machine logic to the human body and vice versa. Her work manifests itself in the form of performances and video and multimedia installations, for which she often works together with experts from various disciplines including data analysis, choreography, and sound design.
https://coralievogelaar.com/

Ine Poppe is an artist and writer who moves playfully between art, writing and film. She made conceptual works, wrote for video, games and newspapers, and directed documentaries. At the Willem de Kooning Art Academy in Rotterdam she passes her experience on to young makers. Right now, she’s drawing and writing a graphic novel about the STOMA. She joined De Dolle Mina’s, a feminist collective — that sense of urgency and engagement still flavors her work.
https://poppeenpartners.nl

Katarina Petrović is an artist and researcher working at the intersection of art, science and humanities. Her work focuses on generative and creative processes, from meaning-making, poiesis, and organizational systems to physics of sound, light, and vacuum. She is co-initiator of the ArtScience Forum platform and feminist art radio Femkanje, and she works as an affiliated researcher at the transdisciplinary research Center Leo Apostel (VUB) and guest teacher at ArtScience Interfaculty, The Hague.
https://www.katarinapetrovic.net/
https://negativepoetry.com/


BIG DADA ART FESTIVAL
BIG DADA | Dadaism in the age of Dataism
A Interdisciplinary art event throughout Arti et Amicitiae
 
Exhibition - Club Dada Soirées - film - interactive installations - performances - symposium - lectures - Art & Science Symposium - guided tours

Big DaDa explores the role of art in a world driven by data and algorithms. At a time when technology influences our thinking and actions. Big DaDa offers a new perspective in response to the absurdity of the present. The event explores how creators respond to this digital reality of social media, bots and subversive information networks, and what strategies they use to resist systems based on assumptions. In other words: what does it mean to be human in the age of artificial intelligence?

We offer an extensive program on three Friday evenings, Club DaDa Soirees, aimed at young creators, regular visitors and professionals within digital culture. In collaboration with partners, these events offer space for exploration and experimentation. In addition, this year's Art & Science Symposium occupies a special place with hackers, scientists and artists.
Arti et Amicitiae
Rokin 112  |  Amsterdam

BIG DADA Opening  |  Oct 31
Museum Night          | Nov 1 
“Alles is dada. Slechts de dadaïsten zijn niet dada. Wanneer immers de dadaïsten dadaïsten waren, dan zouden de dadaïsten geen dadaïsten zijn"

‘Dada’, Nieuwe Rotterdamsche Courant, 1923

Hugo Ball, founder of the DaDa movement, wrote already in 1916: 'men have been confused with machines'. Anarchist Dadaism flourished as an international art movement a century ago and emerged as a cynical response to the WWI. Anti-art, coincidence, freedom and absurdity played a major role in their work.


< 1st DaDa performance 
Hugo Ball in café Voltaire, Zürich, 1916
Organisation and Partners
Big DaDa is curated and organized by
Arjen Lancel & Eva Gonggrijp

In collaboration with Arti et Amicitiae


Partners: Museum Nacht Amsterdam - 
Artscience KABK Den Haag - Sandberg Instituut
Stichting AVCEP -
Media College Amsterdam

Co-production: Claartje Kortbeek

Graphic design: Maaike Visser

Supporting funds 2025
Amsterdams Fonds voor de Kunst,
Stimuleringsfonds Creatieve Industrie, 
 Fonds 21 and Cultuur Fonds Landelijk

Tour reservations, press and communication contact: info@arti.nl
Video documentation Big DaDa at Museum Night 2023 by Maxime de Waal and Wessel Haaxman
2023 | Organisation and partners

Big DaDa is curated and organized by
Arjen Lancel and Kim Nathalia

In collaboration with Arti et Amicitiae and MILK
Co-production: Claartje Kortbeek

Graphic design: Maaike Visser
Media partner: Mediacollege Amsterdam

Supporting funds 2023:
Amsterdams Fonds voor de Kunst,
Stimuleringsfonds Creatieve Industrie, Mondriaan Fonds,
 Fonds 21 and Pictoright Fonds.

Tour reservations, press and communication contact: mirjam@arti.nl
  • Bambi van Balen

  • Simomo Bouj x No Limits! Art Castle

  • Candy Cloud

  • Content y Contenido

  • Constant Dullaart

  • Maaike Fransen

  • Pavel van Houten

  • Noa Jansma

  • Floris Kaayk

  • Maria Lepistö

  • Jun Ortega

  • Medialab SETUP

  • Richard Vijgen

LINK

Booklet 2023 (Dutch)

LINK

Instagram

LINK

Facebook

Video documentation Big DaDa at Museum Night 2022 by Maxime de Waal and Wessel Haaxman